![]() ![]() If You Like Dana Schwartz Books, You’ll Love…Īnatomy: A Love Story follows Hazel, a lady who wants to be a surgeon more than a wife, and Jack, a resurrection man doing his best to survive. Tasha Robinson is a culture writer at Vox Media 's technology and entertainment site The Verge. But it isn't always the best tactic for a novel. Expanded and slowed down, it might have been a richer book like Rainbow Rowell's Fangirl, a deeper dive into how an immature artist develops her own voice and confidence, and navigates the barriers blocking her. It's just one of the many ways And We're Off feels like it could have been twice the length without wearing out its welcome. It's a funny detail, but it also places her firmly in an of-the-moment world where online social communities shape young artists, and where Nora would presumably get the support her mother doesn't give her.īut past that opening chapter, Schwartz entirely drops the notion of Nora having fun with art, interacting with fans, or having social links beyond the ex she's pining for, and the best friend who's dating him. ![]() The first chapter reveals that Nora makes side cash drawing commissioned erotic fan art of Harry Potter and Sherlock characters. Within the first few pages, Schwartz references Pinterest, Tumblr, Instagram, Facebook, and Buzzfeed. And her feelings of inadequacy emerge abruptly, then become a preoccupation for a book that could more profitably spend the space on deepening its relationships.Īnd We're Off opens with a promising specificity that the rest of the book lacks. Her time at Donegal boils down to a few brief lessons and a fit of jealousy over a more effortlessly talented schoolmate. Nora's summer romance with an Irish boy hits the familiar marks - party, infatuation, painful discovery - without developing any unique flavor. The same approach holds for the book's many other subplots. ![]() It's possible to mentally connect these traits into fully formed personalities, but And We're Off rarely takes the time as it whisks briskly from one screaming crisis to the next. Alice, for her part, is a bratty, self-absorbed tyrant one minute, and a hurting woman struggling with divorce and disappointment the next. In other words, she's a teenager, written from a not-always-affectionate perspective. She's impulsive and erratic, self-pitying and self-hating. Her pouts and loud, performative pity-me sighs seem designed to be judged by older readers. Schwartz takes an unusual approach to writing Nora, who isn't always sympathetic. There's a bitter sort of comedy in the ways Alice finds to ruin Nora's trip, but there's a deeply dysfunctional relationship there too, built around Alice's pushiness and Nora's limitations in fighting back. Robbed of her much-anticipated taste of freedom and adulthood, Nora is understandably sullen, but oddly unresisting. So the stage is set for drama when Alice suddenly regrets their fractured relationship, and invites herself along on Nora's European trip. deeper dive into how an immature artist develops her own voice and confidence. Expanded and slowed down, it might have been a. 'And We're Off' feels like it could have been twice the length without wearing out its welcome. (And, for longtime Schwartz fans, some Dystopian YA Novel in-jokes.) But it also feels like it's a couple of expansions short of a fully realized story, one that would fill in the space between the characters' impassioned peaks and valleys. It's a quick, compelling read, with vividly described emotions and an intense inner landscape. Her young-adult story about a teenage artist's growing pains covers a lot of physical and emotional ground, but at such breakneck speed that the landscape rarely comes into focus. To readers who've dealt with either of these archetypes, the accounts are funny because the voices are so recognizable, and Schwartz's jokes at their expense are so incisive, even at a 140-character limit.īut where concision strengthens Schwartz's humor, it limits her debut novel, And We're Off. The latter parodies the tropes of derivative young-adult fiction, complete with a female protagonist caught between competing male admirers as she tries to navigate her oppressive society. The former sends up self-important, David Foster Wallace-worshiping writing students who gaze deep into their navels and see only literary symbolism and tortured, unappreciated genius. She's the humorist behind the popular Twitter accounts Guy In Your MFA and Dystopian YA Novel, twin platforms for perfectly crafted satire about literary pretention. Until now, debut author Dana Schwartz has made a compelling asset out of brevity. Your purchase helps support NPR programming. Close overlay Buy Featured Book Title And We're Off Author Dana Schwartz ![]()
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